Interesting article by Paul Kelly in the latest ALR, most surprisingly for what it gets wrong, not least its rather narrow interpretation of Donald Horne’s The Lucky Country. In an opening riff that fits up Horne as a prototypical member of today’s ‘elites’, Kelly caricatures Horne as an ‘intellectual alienated by the long success of Menzies’ and therefore a despiser of an opposing ‘political class’ who have been Australia’s true and great leaders.
Horne was anti-protectionism and anti-white Australia policy, not anti-political class as such. The book is a coded jeremiad against both.
Horne’s argument was that Australia was ‘living on its luck’ because, thanks to its second-rate leaders, it had remained insular on both fronts and got away with it, but wouldn’t be able to for much longer.
Nowhere in The Lucky Country is Menzies ‘squarely blamed’ for ‘our mediocre artistic life, Anglophobia, white Australia policy, racism, cultural cringe, provincialism and ineptitude in Asia’. While he rightly criticises the inertia of the Menzies era in its final decline, Horne would have been aware of Menzies’ speechifying against racism, directly praises the easing of fears about Asian immigration that took place ‘over the period of the Menzies administration’, and champions his immigration program and his appointment of an Australian as governor-general. The book’s arguments rest on a much broader cultural critique than Kelly admits.
History proved Horne’s central arguments right. But these are ideas, too, I would have imagined, that Kelly might normally have sympathy with. Not to mention politicians since. Far from despising the political classes, as Kelly imagines, Horne embraced leaders like Whitlam (who did the last rites on White Australia), and Hawke and Keating (who did the last rites on protectionism and engaged with Asia). Nor was Horne so anti-ordinary-people as Kelly claims. On the contrary, at the time of writing The Lucky Country he was a conservative populist (who once aspired to become a Tory MP), who embraced suburbia at a time when the prevailing intellectual current was to despise it.
But Kelly’s opening riff is a false set up, in any case, to add gravitas to what amounts to not much more than a fairly standard newslimited attack on elites, personified by David Marr, Raimond Gaita and Julian Burnside. There’s some good points along the way. I can only agree, for example, that some of our prominent leftish public intellectuals are long on moral outrage but short on analysis, and that they tend not to understand the difference between high principle and governance. And most can’t countenance the possibility that economic reform has had its successes. But none of these points justifies the piece’s descent into little more than a Howard apologia. You don’t have to be a ‘Howard-hater’ (not a term Kelly uses, I should add) to believe that Howard hasn’t been a good PM on any measure. Nor has he led a good government.
Perhaps Kelly’s greatest mistake is that he uses the elites versus politicians riff not as a metaphor, but as a premise for argument, as if either group is singularly responsible for change-making. Howard, after all, has had his own court of conservative intellectuals and their antecedents.
Kevin Rudd, apparently, will be the ‘new man’ who brings these warring tendencies together. I’ve often admired Kelly’s work, including, despite its faults, End of Certainty. But there’s a hint of messiah following in his finale. Stand by for the book.